Monday, June 11, 2012

Why I love the Thumb



Well, not just the thumb really, but I'm very much grateful for my hands for they harmoniously love working together. Not another Thumbelina nor Tom Thumb, but this re-illustrated book celebrates the value of working together using fingers as figurative model. I think, Si Hinlalaki (The Thumb), illustrated by Hubert S. Fucio and story by Virgilio S. Almario, is one of the best illustrated local children's books today.




Although, I just wish the illustrator pushed the envelope more in the cover illustration since he has already showed so much creativity inside the spread illustrations. Yes, I know the color, composition, and typography is very attractive. Maybe I'm just too fond of covers with so much details and action scenes that spark interest about the story more than a character mugshot. When I first saw the book in the store, the cover didn't got me that excited only until later when I opened it. To my surprise, the illustrations are excellently drawn. YES, I can hear you, so let's say it altogether now: never judge a book by its cover.




Where else has the illustrator drawn inspiration for the style but within the segments or the lines of the palm. For me it's very effective because the segmented style exudes a graphic touch and may connote demarcation, a border, or in a deeper sense - symbolizes the selfish ego. The visuals pretty sum up or foreshadow the moral of the story which is about [edited]. 





I thought illustrating within the setting of the hand could be repetitive and boring because you couldn't illustrate beyond that, but the illustrator has creatively solved this challenge by showing unpredictable scenes and rendering. Using white as outline instead of the usual black marker makes it current, more striking, and playful, yet at the same time looks timeless.




"Because he was small, and had a different shape, he was called an outsider." This is my favorite illustration because the visual interpretation of this text is both literal and has reference to the story of the Three Little Pigs. Clever but risky because while it tries to break the idea of uniqueness as outsider in a funny way, I pity the wolf for being an overrated symbol for slyness (haha) and on another view may also be misconstrued that an "outsider" is a bad person.




This is the best composition of the illustration for me because of its simple but persuasive graphicness, almost poster-like, reminds me of the bold and stark Russian propaganda posters. 




Another surprising detail, each line is hand drawn! As an illustrator, I know how difficult it is to render straight lines using the plain old brush. That diligence and opting for traditional media is admirable for an illustrator when he can render the same using vectors at the minimal time (Note: digital art does NOT necessarily mean simple to make, but it does saves time).

Thumbs up if you agree with me.



Thursday, May 24, 2012

Post-it Affirmation Art no. 9





Try harder, love unconditionally.



Sunday, May 13, 2012

Circle




Fishes finding their way through.

Manila Ocean Park, aquarium, urban life, commentary, zombies, routine, everyday, fishes, school, "sardines", meditation, hypnotic, earth, ambition, art, path, journey

Sunday, April 29, 2012

painting process



Work in progress detail for an upcoming banner exhibit.




Painting the details last.




Adding some elements when some figures don't "show up" or create interesting juxtaposition.





Figures getting shape, after finding or "catching" them from random textured forms.




Random blobs of paint to form the silhouettes and composition.





The first step: preparing the ground with gesso, after treating the wood,
then gel medium for maximum texture. 
From there, I make layers of light acrylic wash so I can find figures emerging from the texture. 
It takes a while to find those figures, viewing different angles with fresh eyes so I can "catch" them. 

Let's Instagram! I'm sergioiii 


Wednesday, April 11, 2012

best things in small packages




Work in progress: 
illustrations using iPad app, Art Set


Work in progress: 
no photoshop!


Work in progress: 
Art Set: the best sketching and painting app for iPad in the world ever!


Browsing billions of apps is crazy and trying them all could be very expensive, sometimes frustrating. So here's a helpful review of one of the various sketching and painting apps I tried on the iPad. Some popular drawing apps available now are: Sketchbook Pro, iDraw, Adobe Ideas, and Paper. Most of these apps are very complicated for the iPad, while others are too simple and limiting. Each app is appropriate for a particular illustration style: Sketchbook Pro works almost like Photoshop, iDraw is for vector drawings while Bamboo and Paper are best for notes and sketches. My favorites are Bamboo and Paper, but the best painting app on iPad for me is Art Set.

Art Set is the best painting app on iPad for illustrators like me because it's very easy to use. The user interface is delightful, looks almost like an artist's toolbox, only virtual. Art Set has every art material I use for illustration and painting: pastels, colored pencils, crayons, tech pens, markers, ballpen, and oil paints. The materials also behave like real media, with unnoticeable lag time on screen sensitivity. What more can you ask for? Not only that, you can also have some sponge, a tissue, water, smudgers in case you want to create some cool effects. Various canvases in a range of colors and textures complement the media. While drawing or painting, you don't have layers like in Photoshop, so in effect you'll feel like actually painting on paper. You can only undo/revert up to ten steps, beyond that you'll have to erase or paint over. There's only one thing I'd wish this best painting app on iPad could have, that is to have more export options like bigger resolution and PDF compilation. I think the current resolution is okay for online publishing, but I'm quite apprehensive using the illustrations for print. Lastly, the best thing about Art Set being the best painting app on the iPad for me is because it's inexpensive. How about just 99 cents for all of these awesome features? I know you're thinking this review is exaggeration but I'm not getting anything from it, I'm just too happy for this app and now sharing the love.

Now, sketching and painting on the iPad is much fun and more intuitive with a stylus. Again, finding the best stylus available in the market today is difficult and expensive without reading reviews and actually trying them out. I have read good reviews about Adonit, unluckily it's not yet available locally. So far the best stylus I'm using is the one from CD-R King (a local electronics and accessories supplier). The stylus is quite small, perfect for mobility. The other end is a pen. Like most stylus, the tip is rubbery but small, making drawing intricate details much easier, thus saving my poor fingers. And most of all, this stylus is also inexpensive. You can have it for 30 pesos. Beat that!



The CD-R King stylus poking head



Friday, February 3, 2012

Illustration vs design in children's books



Illustrations from my latest book, Mga Modernong Alamat (Modern Legends) Vol.1 
published by Lampara House, stories by Segundo Matias, Jr.
This book is a special edition of collected new legends.




Ang Alamat ng Dugong (The Legend of the Manatee)






Ang Alamat ng Ahas (The Legend of the Snake)










Ang Alamat ng Mansanas (The Legend of the Apple)






Ang Alamat ng Gagamba (The Legend of the Spider)


Most often, the importance of good design is disregarded in the effectiveness of storytelling in children's books. Good design means legible and elegant typography, utilization of space, maximization of the illustration, and the logical flow of the narrative. Also, the design keeps the reader interested by the positive experience derived from holding the physical book: the delicacy of paper, richness of ink, and the quality of printing small but essential details like binding, among others. When the design goes overboard, illustration is worthless no matter how exquisite it is. That inadequacy also applies when poor design is overpowered by striking illustrations. Maintaining a balance between the design of the pages and illustration is the key to elegant design that may lead to effective storytelling. I mean, just like when design elucidates an illustration, in the same as illustration complements design, where balance conjures like a relaxing stroll along the beach at sunset.